Shape in Performance

Shape in performance eventually resolves itself into rhythm. The individual sounds must each have their definite place in the scheme of the whole, in order for the composition to be performed correctly.To enable us to succeed in this, the work as a whole must constantly be kept in mind. For the sake of the composition, each note must be executed at the precise time thus dictated by the score. In addition, the exact tone amount and quality must be fulfilled. Unless this is accomplished, the resulting music-picture can neither be homogeneous nor harmonious. The expression of emotion underlying these mere shapes remains quite impossible.

The individual sounds of a composition must have their definite place with respect to sound and time. The objective must be to execute each note at the precise time dictated by the music and provide the exact tone amount and quality required. The measure of success depends upon the accuracy with which our executive ability is able to translate these mental pictures into physical action. The two processes of 1) artistic perception and 2) execution are distinct processes. It is clear, that pianoforte education must consist of 2 perfectly distinct branches. One must translate our perception of the music into actual sound. You should be trained so that you are able to perceive musical form. The keyboardist requires training to be able to understand the contrast of

1. Pitch
2. Duration
3. Vertical note combination
4. Harmonic progressions.
5. Ornamentation.